John Berry is a native Virginia poet writing from his home in the Shenandoah Valley. John has published two books of poetry, Wobbly Man (Red Dashboard Press, 2016) and Medicine (Foothills Publishing, 2017). John hosts The Sock Drawer Poetry Series on WinLife TV, and is working on his next book, The Lawnmower Poems to be released in late 2018.
We want to hear your voice!
K'in, an online literary magazine, is seeking and accepting submissions through Submittable, for our second issue.
Poetry, fiction, creative nonfiction.
We're particularly interested in voices from marginalized and underrepresented communities.
We also are introducing our brand new Young Writers Section, for submissions from writers aged 12-17.
Experimental, traditional, playful, prayerful, celebratory, challenging: human—try us.
Show us a new way to tell one of the millions of stories under that glorious sun.
Lauren McKenzie Reed received her MFA in Creative Writing from West Virginia University, where she taught for six years. She also has an MA in TESOL and, in addition to teaching and publishing, she has studied and worked in several countries, including Australia, Hong Kong, China, Ukraine, Mali, and Germany.
Stipe Odak was born in Bosnia and Herzegovina and currently lives in Bruxelles. Art, theology, social sciences, divided in equal parts of profession and fun, beat the rhythm of his everyday life. He graduated Comparative Literature, Sociology, Theology in Croatia and Belgium, and published two books of poems.
Jessica (Tyner) Mehta is a Cherokee poet and novelist. She’s the author of seven collections of poetry including the forthcoming Savagery, the forthcoming Constellations of My Body, the forthcoming Drag Me Through the Mess, as well as Secret-Telling Bones, Orygun, What Makes an Always, and The Last Exotic Petting Zoo as well as the novel The Wrong Kind of Indian. She’s been awarded numerous poet-in-residencies posts, including positions at Hosking Houses Trust and Shakespeare Birthplace Trust in Stratford-Upon-Avon, England, Paris Lit Up in France, and the Acequia Madre House in Santa Fe, NM. Jessica is the recipient of a Barbara Deming Memorial Fund in Poetry. She is the owner of a multi-award winning writing services business, MehtaFor, and is the founder of the Get it Ohm! karma yoga movement. Visit Jessica’s author site at www.jessicatynermehta.com.
"My mother tells me that my emotions are fast and fleeting, altering the constants of calm and content that she understands to be me. I slam doors and I cry, I harm with intention, and I fragment myself to stay intact.
In South Carolina, the South, my home, humid summer days meander endlessly on, and thunderstorms fragment time. Tablespoon raindrops wash away all memories of the day’s existence before the rain, and a cool calm settles as the storm passes...."
Since writing this piece, Cumi Ikeda has moved from the Pacific Northwest to Pittsburgh, where she feels a bit more at home with the rain. There, she teaches nonfiction and wonders about poetry. "
Must Read K'in Poetry!
Monty Campbell, Jr. is a citizen of the Cayuga Tribe of the Iroquois Six Nations. He lives in Seneca Falls, NY, where he write’s recipes, poems and works for his tribe. Monty has worked as a chef for many years in NY, Montana and Utah, but now lives the quiet life on Cayuga Lake and his ancestral homelands. He was raised on and around the Cattaraugus reservation and in Rochester, NY’s inner city. Monty’s poetry appears in literary journals such as paces Lit Mag; Amerinda’s Talking Stick; Yellow Medicine Review; and in both volumes of Native anthology Was Indian (Before Being Indian Was Cool). His book Large Dent in the Moon, is a part of Foothills Publishing’s Re-Matriation Chapbook Series of Indigenous Poetry.
Reading for our inaugural issue, set to be released May 1, 2018!
Experimental, traditional, playful, prayerful, celebratory, challenging: human—try us. Show us a new way to tell one of the millions of stories under that glorious sun.
"May Sarton liked to listen to music when she worked, but only eighteenth-century music. "I find that the romantics don't work for me," she said. "I love them to listen to, but not to work with" (quoted in Saum 1986, 97). Other writers come alive at particular times of the day or night. Katherine Anne Porter said she preferred "to get up very early in the morning and work. I don't want to speak to anybody or see anybody. Perfect silence" (quoted in Murray 1983, 29)...."
From Creative Nonfiction
Issue #64, Adaptation
The Braided Essay as Social Justice Action
Between the Lines
"...memoir....offers something unique to environmental writing. By situating the self in the story, the writer personalizes what in some nature writing might come off as eulogizing and obvious. When I toggle between myself and the rest of the world, not only do I stop myself from boring myself with what I already know, I also find surprising commonalties with prairie dogs, or gutters, or the way geological formations seem permanent until they’re not, which reminds me that my bad habits or unattractive character traits, like writing about myself, are not necessarily permanent either....."
"Writing success boils down to hard work, imagination and passion—and then some more hard work. iUniverse Publishing fires up your creative spirit with 20 writing tips from 12 bestselling fiction authors.....
"Tip 1: "My first rule was given to me by TH White, author of The Sword in the Stone and other Arthurian fantasies and was: Read. Read everything you can lay hands on...."
Good morning from K'in!
Thanks to Brainpickings for this Great Read, and to the fabulous artist, V.L. Cox, for sharing it!
“To be nobody-but-yourself — in a world which is doing its best, night and day, to make you everybody else — means to fight the hardest battle which any human being can fight....”
Especially interested in voices from marginalized or underrepresented communities.
Prose: 5000 words or less, open to content, form, structure.
Fiction: We welcome short stories of all shapes and sizes, from the mind-blowing traditional story to fiction that blurs the lines between forms, genre fiction, experimental fiction, etc. We also welcome flash and micro fiction.
Nonfiction: We're looking for slow burns in a world of hot takes, questions asked instead of answers proved. We welcome a wide variety of nonfiction—traditional essay, narrative nonfiction, micro/flash memoir—and encourage experimentation, though not at the expense of factual truth. Too many true stories go untold, and we want to offer space to honor those voices.
Poetry: 3-5 poems, open to content, form, structure. Please don't forget the power voice, sound, and time can have in poetry.
Visit our SUBMIT page for more details!